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邊界的水位

Threshold

釣り人は鳥を知らない(永井朋生×嶋村有里子)Angler never knows a bird (Tomoo Nagai XYuriko Shimamura)

邊界的水位(作品照 1)

作品簡介

水位,是風、潮汐、時間,以及萬物生息,在這片土地上持續刻寫的痕跡。經臺南的曾文溪孕育豐饒土壤,也支撐人們生活;另一方面,其流動改變地貌,時而吞沒聚落,不斷改寫土地輪廓。透過田野調查,我們凝視人與自然彼此影響的邊界。《邊界的水位》,是一場追尋人與自然共同描繪風景的嘗試。

關於藝術家

釣り人は鳥を知らない(永井朋生×嶋村有里子)(藝術家照)

永井朋生與嶋村有里子是一個跨越聲音與繪畫的合作藝術組合。以場域研究為基礎,透過聲音、顏料與自然素材創作表演及裝置作品。團隊名稱源自凝望海洋的釣者與盤旋天空的鳥,象徵不同感知的交會,並在土地記憶與環境關係中轉化空間。

English

Threshold

Angler never knows a bird (Tomoo Nagai XYuriko Shimamura)

About the Work

The water level is the trace continuously inscribed upon this land by the wind, tides, time, and the lives of all beings. The Zeng-wen River, flowing through Tainan, has nurtured fertile soil and sustained human life. At the same time, its currents have transformed the landscape, at times engulfing settlements and constantly rewriting the contours of the land. Through field research into this place, we contemplate the boundaries shaped by the mutual influences between humans and nature. "Threshold" is an exploration that traces the landscapes co-created by humans and nature.

About the Artist

Tomoo Nagai and Yuriko Shimamura are a collaborative unit working across sound and painting. Based on site-specific research, they create performances and installations using sound, pigments, and locally collected materials. The unit’s name is inspired by a fisherman gazing out at the sea and a bird circling the sky, symbolizing the intersection of different perceptions and their exploration of space through the relationships between place, memory, and environment.

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