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TY-12-2

自然消失

Nature Disappearing

蔡漢正TSAI Han-cheng

自然消失(作品照 1)

作品簡介

本作品以影像記錄龜丹溪上的防沙壩,但顯像在人造的水泥板上。該影像在風乾狀態下,呈現模糊不清,碰到水後將再度出現清楚的畫面,在清楚與模糊之間暗示人造水泥的介入河川,大自然是否即失去原本的能量。《自然消失》從影像的風乾消失隠喻「自然的消失」;當影像再度出現時我們可試問:防沙壩讓什麼消失了,而什麼又未曾消失?

關於藝術家

蔡漢正(藝術家照)

以攝影為主要媒材,近期議題內容關注在環境與人的關係,形式多以地景呈現。創作過程經常探問影像如何作為溝通媒介。作品強調影像並非是攝影者的單向觀看,而是人與事物之間某種關係的存在。藉由關係試圖討論影像藝術的當代社會性。除創作外,也對臺灣地景攝影的歷史與理論的研究感興趣。

English

Nature Disappearing

TSAI Han-cheng

About the Work

This work uses photography to document check dams along Guidan Creek, exposing the images directly onto man-made concrete slabs. When dry, the image appears blurred and faint; once wetted with water, the picture comes into sharp clarity. This interplay between clarity and blur subtly questions whether nature loses its innate vitality when artificial concrete intervenes in a river. Nature Disappearing uses the drying, fading image as a metaphor for the "disappearance of nature." As the image reappears with water, it asks: what has the check dam erased, and what remains forever untouched?

About the Artist

Working primarily in photography, Tsai's recent work focuses on human-environment relationships, largely presented through landscape forms. He continuously asks: how can an image serve as a medium of communication? His work emphasizes that photography is not a one-way gaze, but an expression of relational existence between people and things, exploring contemporary sociality through these connections. Beyond his artistic practice, he researches the history and theory of Taiwanese landscape photography.

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