自然消失
Nature Disappearing
蔡漢正TSAI Han-cheng

作品簡介
本作品以影像記錄龜丹溪上的防沙壩,但顯像在人造的水泥板上。該影像在風乾狀態下,呈現模糊不清,碰到水後將再度出現清楚的畫面,在清楚與模糊之間暗示人造水泥的介入河川,大自然是否即失去原本的能量。《自然消失》從影像的風乾消失隠喻「自然的消失」;當影像再度出現時我們可試問:防沙壩讓什麼消失了,而什麼又未曾消失?
關於藝術家
以攝影為主要媒材,近期議題內容關注在環境與人的關係,形式多以地景呈現。創作過程經常探問影像如何作為溝通媒介。作品強調影像並非是攝影者的單向觀看,而是人與事物之間某種關係的存在。藉由關係試圖討論影像藝術的當代社會性。除創作外,也對臺灣地景攝影的歷史與理論的研究感興趣。
English
Nature Disappearing
TSAI Han-cheng
About the Work
This work uses photography to document check dams along Guidan Creek, exposing the images directly onto man-made concrete slabs. When dry, the image appears blurred and faint; once wetted with water, the picture comes into sharp clarity. This interplay between clarity and blur subtly questions whether nature loses its innate vitality when artificial concrete intervenes in a river. Nature Disappearing uses the drying, fading image as a metaphor for the "disappearance of nature." As the image reappears with water, it asks: what has the check dam erased, and what remains forever untouched?
About the Artist
Working primarily in photography, Tsai's recent work focuses on human-environment relationships, largely presented through landscape forms. He continuously asks: how can an image serve as a medium of communication? His work emphasizes that photography is not a one-way gaze, but an expression of relational existence between people and things, exploring contemporary sociality through these connections. Beyond his artistic practice, he researches the history and theory of Taiwanese landscape photography.
總爺藝文中心的其他作品
- TY-1曲流擺——流域饗宴黃文淵
- TY-2時光旅行艙-流域保護色李承亮
- TY-3總論Mattauw 大地藝術季策展群
- TY-4No.106-1王德瑜
- TY-5自然權利讀書筆記日青創藝×讀書會成員
- TY-6自然法庭:曾文溪案——萬物作證稚葉社創×楊欽榮
- TY-7墡.堊喵b三皮乾雜工行(黃信堯×白昆禾)
- TY-8邊界的水位釣り人は鳥を知らない(永井朋生×嶋村有里子)
- TY-9盲蛇的氣味記憶法蘭克・布洛姆
- TY-10採集曾文溪的流動氣息陳科廷
- TY-11消失的飛鼠余欣蘭×飛鼠少女隊(蔡蕥竹×吳語涵×蘇育宣×楊毅)
- TY-12向萬物借水——曾文溪流域的犧牲社團法人社區大學全國促進會×林宏恩×黃瑞茂×蔡漢正
- TY-12-1循水而行——大丘里聚落的流域圖繪行動黃瑞茂×林宏恩
- TY-13小事報歷屆參與學校