《無爭世界》環行劇場
"World Without Conflict" Circular Theater
吳思鋒×張君慈×陳孝齊WU Sih-fong x CHANG Iris Chun-tzu x CHEN Siao-chi
作品簡介
一場長達七日的異地採訪，觸發了菜鳥記者在成長中未曾浮現（或深層隱蔽）的世界圖像，然後以遺忘與等待的廢置時間緩緩起建，那篇始終沒有完成的報導，附聲於夢、記憶、臉、他者、戰爭、戰爭的變形與延長，以及未來的信。文本、作品構成│吳思鋒聲音設計│張君慈錄音工程│陳孝齊聲音演員│雷煦光地圖繪製與設計│蕭涵云起點│拔林工作站環行區域│拔林工作站─川文山備註：1. 這是一部結合聆聽與步行的作品，觀者參與時間長度依每人對於川文山熟悉程度而不同，60至90分鐘不等。 2. 請自備手機與耳機，建議耳機品質不要太好。
關於藝術家
吳思鋒關注小劇場的實踐及其譜系的重新閱讀、非都會區劇場的創作與運作、劇場生態與機構化、評論與媒介等面向。張君慈以聲音為泥，透過繪畫、詩、裝置、田野錄音與即興演出捏塑成形，探索空間中可聽與不可聽之間的身體感知及意識流動。陳孝齊創作關注身體在景觀化情境中的異變，進而思考個體如何於權力結構與文化生產中自我定位與抵抗。
English
"World Without Conflict" Circular Theater
WU Sih-fong x CHANG Iris Chun-tzu x CHEN Siao-chi
About the Work
Beginning with a farewell letter, a journey unfolds in search of the future. The mountain landscape, the therapeutic rhythm of walking, and the nearby railway tracks and firing range all become catalysts for imagining the far-off beyond in a personal sensory trek activated by listening. This is not a retelling of local history, but an invitation to discover resonance with distant worlds through slow, deliberate walking in nature—listening to narratives and soundscapes while observing every leaf and tree. The alienation and trauma of intimate relationships, alongside the militarization of energy and materials, gradually turn into narrative text and soundscapes that seep into this walking circuit. Chuanwen Mountain temporarily becomes a sanctuary in a troubled world; yet the sounds of suffering do not disappear. Their faint, intermittent flickers ignite our imagination to begin anew, allowing us to walk a little farther than where we stand, just as mountains and trees have endured far longer than humanity.