微光的所在――大丘遺事
Where the Glimmer Resides: Chronicles of Daqiu
施合峰×陳明君SHIH Ho-feng x CHEN Ming-jun
作品簡介
本計畫以臺灣淺山聚落跨入工商業時代的轉折節點為引子，將廢棄空間轉化為一個「時間的暗箱」。觀眾在進入黑暗空間後，唯一與過去連結的方式是手中的「光束」（手電筒）。透過局部且破碎的照明，觀眾被迫在窺視與摸索中，重新建構出一戶山區家庭的生命軌跡。這不只是一場復古場景的復原，更是一場關於「記憶採集」的行動，將當地的物件、信仰、聲響與當下現況進行疊合。
關於藝術家
施合峰，南藝大音像紀錄所畢業，雲林人。關注因時代變遷而消逝的人文風景，常以中南部在地文化為主題，風格安靜沉穩，作品曾入選日本Green Image等國內外影展，現為自由影像工作者。陳明君，英國倫敦金匠學院碩士，現為南藝大藝創所博士生。跨足設計、地方創生與文化實踐，擅長以聲音、現地影像與現成物裝置，交織出日常物件與空間的新感知經驗。
English
Where the Glimmer Resides: Chronicles of Daqiu
SHIH Ho-feng x CHEN Ming-jun
About the Work
Taking the pre-electrification lifestyle of Taiwan's foothills as a point of departure, this project transforms an abandoned space into a "darkroom of time." Upon entering the pitch-black environment, the audience's sole connection to the past is the "beam of light" from their handheld flashlights. Through this partial and fragmented illumination, visitors are compelled to navigate through peeping and searching, reconstructing the life trajectory of a household from these mountains. This is more than a mere restoration of a vintage scene; it is an act of "memory harvesting," overlaying local artifacts, beliefs, and soundscapes with the reality of the present.
About the Artist
Born in Taiwan, Shih Ho-feng graduated from the Graduate Institute of Studies in Documentary at Tainan National University of the Arts. His family’s business in the traditional industries has such profound influence on him that in his works, Shih often conveys the disappearing cultures as society moves with the times. His visual style is known for its calmness and serenity; through his observation in the real setting, the essence of everyday life is captured on film. Chen Ming-Chun holds an MA in Design Futures from Goldsmiths, University of London, and is currently a doctoral researcher. Her professional expertise spans interior, lighting, and object design. In addition to her design practice, Chen is deeply involved in place-making and cultural initiatives. She has curated and managed organic rural markets and agricultural entrepreneurship programs in Yunlin. Her artistic practice integrates field recordings with site-specific imagery to construct spatial narratives where sound and visuals intertwine. She also utilizes ready-mades as an installation medium, reassembling and recontextualizing everyday objects to evoke new perceptual experiences.