鄉野紀行編撰室「照興部」
Countryside Journal Editorial Office: Zhaoxing Branch
哈拿．葛琉×陳科廷×透南風工作室Hana Keliw x CHEN Ke-ting x Southern Winds Studio
作品簡介
「鄉野紀行編撰室」來到曾文溪畔的照興，重新翻閱這座淺山聚落留下的地方篇章。1980年於此開拍的《曾文溪之戀》，留下永興吊橋、溪流與聚落生活的時代身影，四十多年後，居民與藝術家則以草木、氣味與布料續寫照興。午後驟雨、日光、濕度與葉片水氣，也意外介入植物移印染，使色彩與輪廓產生不可預期的變化。從昔日影像到今日共創，「照興部」採集的不只是植物，更編撰著人、水、天候與土地共同作用的地方紀行。
關於藝術家
哈拿．葛琉（Hana Keliw），臺東都蘭部落阿美族人。以織繡工藝為基礎延伸她對族群文化、生態環境與人文脈絡的思考，2001年受臺東國稅局委託創作拼織壁畫〈記憶中的圖騰〉開始至今創作超過20年。近年致力於勾織、編、繡等纖維工藝的技藝傳承，召集部落婦女，互相陪伴、互吐心事、做手工就是生活日常，心靈獲得療癒，手作成果還可以貼補家用，一個小而美、心靈與物質都照顧到的「蘭調織女」文創經濟體，是哈拿和部落姐妹們正在努力實踐的「美式生活」夢想。
陳科廷：中興大學植病所碩士，曾於友邦從事農園藝計畫，及研究南島傳統生態知識。現為「採集人共作室」執行人，從生活與生態觀察出發，透過「採集」連結人、植物與土地；同時串聯世代保存地方故事，以藝術跨域發展食農與地方學課程，重新建構人與自然的親密互動，實踐環境共存的永續模式。
透南風工作室──成立於2011年，以臺灣南方為基地，長期與地方社群協力行動。近年聚焦策展、音樂公益、教育推廣及聚落街區地方行動，透過田野、陪伴、對話與共創，建立與地方互為主體的合作關係，讓文化成為連結人群與地方的力量。
English
Countryside Journal Editorial Office: Zhaoxing Branch
Hana Keliw x CHEN Ke-ting x Southern Winds Studio
About the Work
The Countryside Journal Editorial Office arrives in Zhaoxing along the Zeng-wen River to reopen local historical chapters. In 1980, the film Love of Zeng-wen River captured Yongxing Suspension Bridge, the river, and village life. Over forty years later, residents and artists continue writing Zhaoxing's story using plants, scents, and fabrics. Afternoon downpours, sunlight, humidity, and leaf moisture unexpectedly alter botanical eco-printing, creating unpredictable shifting hues and contours. From historical film reels to present-day co-creation, the Zhaoxing Branch gathers more than plants, editing a local journal forged by people, water, weather, and the earth.
About the Artist
An Amis artist from the Atolan tribe in Taitung, Hana extends her reflections on tribal culture, ecology, and human contexts through embroidery and textile crafts. Since her 2001 patchwork mural Totems in Memory commissioned by the Taitung National Taxation Bureau, she has created art for over two decades. In recent years, she has dedicated herself to passing down fiber crafts such as crocheting, weaving, and embroidery, bringing tribal women together to share stories and handcrafts as part of daily life. This nurturing space heals minds while supplementing household incomes, a beautiful cultural economy known as Atolan Weavers, embodying the dream of tribal sisterhood, the Amis lifestyle.